 Piano, Wisnia’s first instrument, forms a central thread throughout the record, sometimes playful, sometimes meditative, while guitars and synths provide moments of unexpected contrast. Vocally, Wisnia embraces intimacy and imperfection: “I wanted to be unapologetic about my voice. It’s produced to feel as close as possible to how it actually sounds - intimate and raw, like folk music.”
With Tapir! producer Yuri Shibuichi (Honeyglaze) stepping in to mix the record, Wisnia set out to preserve that sense of honesty throughout the album.
The album’s title came from a small, peculiar moment: “At the end of November 2025, I had a slightly creepy text exchange with someone whose number I hadn’t saved, so my phone labelled them “Maybe: Marcel”. I found it funny and oddly beautiful, and it stuck with me. When it came time to name the album, it felt perfect: light and amusing on the surface, but tied to something sad and unsettling, like the record.”
|